Elegy Elegy by Mary Jo Bang was the winner of the National Book Critics Circle Award in Poetry and a New York Times Notable BookLook at her It s as ifThe windows of night have been sewn to her ey

  • Title: Elegy
  • Author: Mary Jo Bang
  • ISBN: 9781555975401
  • Page: 370
  • Format: Paperback
  • Elegy by Mary Jo Bang was the winner of the 2007 National Book Critics Circle Award in Poetry, and a 2008 New York Times Notable BookLook at her It s as ifThe windows of night have been sewn to her eyes from Ode to History

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    About "Mary Jo Bang"

    1. Mary Jo Bang

      Mary Jo Bang is an American poet In her most recent collection, The Bride of E, she uses a distinctive mix of humor, directness, and indirection, to sound the deepest sort of anguish the existential condition Bang fashions her examination of the lived life into an abecedarius the title of the first poem, ABC Plus E Cosmic Aloneness Is the Bride of Existence, posits the collection s central problem, and a symposium of figures from every register of our culture from Plato to Pee wee Herman, Mickey Mouse to Sartre is assembled to help confront it Bang is the author of five previous books of poetry Apology for Want, Louise in Love, The Downstream Extremity of the Isle of Swans, The Eye Like a Strange Balloon and Elegy, which won the 2007 National Book Critics Circle Award in Poetry and was named a 2008 New York Times Notable Book She s been the recipient of a Guggenheim Fellowship and a Hodder Fellowship from Princeton University She has an M.F.A from Columbia University, an M.A and B.A in Sociology from Northwestern University, and a B.A in Photography from the Polytechnic of Central London From 1995 2005 she was the poetry co editor at Boston Review She lives in St Louis, Missouri, where she is a Professor of English and teaches in the Creative Writing Program at Washington University.


    1. Mary Jo Bang picked up the electric guitar, or blue guitar, or maybe Apollo's lyre, and she rocked this book. Is that observation crude, or insensitive to register the emotional tone of the poems? Well, I apologize. I read it at the beginning of Hurricane Ike, and I have enough distance from that read to lodge my enthusiasm in no uncertain terms. From the very raw and suffering poems at the beginning, to the very large return to her aesthetic in the end, a return informed by her experience, and [...]

    2. Some poetry collections, when read, defy the written word; instead they paint a world of their own, using images as a paintbrush on the canvas, the reader’s mind. Elegy: Poems by Mary Jo Bang did just that for this reader. Bang chronicles the year following her son’s death in this new collection of poems. Though Bang’s poetry is new for me, she has published four poetry collections and is a Professor of English and the Director of the Creative Writing Program at Washington University.This [...]

    3. Mary Jo Bang, Elegy (Graywolf, 2007)Book-length collections that revolve around a single theme tend to work less well than those that range all over the map. There are any number of reasons for this, but the main one is that most poets just don't produce enough material over a protracted period of time about the same thing to make it work. This is why, when a book does get it right, it's such a brilliant reminder of how good such things can be (the obvious example, to my mind, is Donald Hall's W [...]

    4. While perhaps not a household name, Bang won this year’s National Book Critics’ Circle Award for ELEGY, the chronicle of a year following the apparent suicide of her son. The collection is characterized by short, honed sentences and syntax that acts like knife-thrusts to the reader’s heart, avoiding any sentimentality.Bang also allows her story to pool into a larger context — per- haps the largest context — of being and nothingness, time and its sudden stilling. “The snake of time, [...]

    5. There is a special depth to one's grief in the first year after the passing of a loved one. Not a single day will go by without you thinking of them, and the reminders of loss are everywhere. What Joan Didion's Year of Magical Thinking chronicles in prose, Mary Jo Bang does here in Poetry, and the poetry is so intense and personal that I feel a little awkward to presume to judge it. It is beautiful. The grief is so powerful that I had difficulty getting through the book. I could only read two or [...]

    6. From Elegy by Mary Jo Bang:How BeautifulA personal lens: glass bending raysThat gave one that day's newsSaying each and every day,Just remember you are standingOn a planet that's evolving.How beautiful, she thought, what distance doesFor water, the view from above or afar.In last night's dream, they were back againAt the beginning. She was a childAnd he was a child.A plane lit down and left her there.Cold whitening the white sky whiter.Then a scalpel cut her open for all the worldTo be a sea.

    7. I started these poems awhile ago, which were written after the death of the poet's son by suicide, and deeply regretted I had to put them aside in order to research and write an article. In finishing some final reading for my research the other day, I discovered one of those obvious etymological relations I never knew of before - how our modern word for agony has its root in the ancient Greek *agon*, with all of its connotations of struggle and battle. In coming back to Bang's poems I reopened t [...]

    8. Well deserving of the award nominations it's received--and the win in the National Book Critics Circle.Bang chronicles movement through grief--nothing so neat as Kubler-Ross's stages, though there's definitely anger and denial and bargaining in some poems. Instead, the focus is on particular images that can represent the loss or distract from the loss. The poems move associatively from image to image, and the play with language at times connotes ee cummings. While there isn't a strict progressio [...]

    9. Read the STOP SMILING interview with Elegy author Mary Jo Bang:(This interview originally appeared in the STOP SMILING Jazz Issue)Stop Smiling: Tell me about the first poem you wrote. Did that experience reflect why and how you write now?Mary Jo Bang: I wrote it in high school, after JFK was assassinated, and after reading a lot of Ayn Rand. It was probably no more than six lines. I remember the last line was: “The man who stands alone,” which now sounds like it should be followed by a few b [...]

    10. Mary Jo Bang explores the process of grieving, and how a mother can go on when her son is dead. This book is difficult in both language and content, but exquisitely written. Mary Jo Bang uses punctuation liberally, so that a thought or a sentence seems to end, and then must go on. The choppyness definitely supports access to the writer's state of mind. Portions were incredibly abstract, while others are completely literal and physical. She becomes direct about her subject matter late in the book [...]

    11. In which death becomes ash, hallucination, cartoons, "the heart and its dumb numbered afterecho", lots of sunlight, more sun than you'd ever figure. These are spun -- never wrenched -- into an alternately sublime and wince-inducing verse of mourning. On the whole this is tough going, and difficult to review because sometimes her skill is undercut with what appears to be a real personal therapeutic impulse -- that curse of all bad poetry. But things do emerge here that I think are valuable as art [...]

    12. In Richard Hugo's Book Triggering Town, he quotes the poet Theodore Roethke as saying every poet really writes only one poem over and over again. Here's the book to prove it. While the craftsmanship of these poems is good and there are occasionally wonderful lines, this book was unremarkable for me. It was in fact the same poem over and over again. Even to the point of self plagiarism.I know that all of us who are poets tend to repeat vocabulary, images, ands, occasionally a phrase or even a gre [...]

    13. Finally! I was so excited about this book for about the first 60 pages and then it became exhaustive, dirge-like, a single note droning on and on. Which, of course, is how grief is experienced. Often that drone is a comfort, sometimes it's a frustrating burden against which you rage and fight. A phenomenal book--a book that is influencing, undoubtedly, the way I am writing--but I difficult book to stay interested in, since it is, as the title indicates, variations on a theme. I found myself dead [...]

    14. I would give this six stars, maybe seven or eight. Elegy made me burst into tears, literally, repeatedly. It is lyrical grief in 64 parts, properly voiced in silent sobbing. I cried to ecstatic euphoria. Accuracy and precision do not encompass the profound power of these poems. This is not empathy but pure recogniton transmitted, broadcast, inspired. I have lived a miniature lifetime of her sorrow, felt as my own. I have now lived my own future sorrow in prescience aided by Mary Jo Bang, my Virg [...]

    15. The circumstance of this book is heartbreaking -- the poet had lost her son and the poems chronicle the first year of mourning. So unlike most chapbooks, there is a real sense of time's passing between the poems. Throughout the book we are told what month it is, and themes reoccur as they naturally would in grieving. Mary Jo Bang is a talented poet and these are powerful poems. I recommend it, good read.

    16. This wonderful collection of poems chronicles the year following the death of her son, who died from an accidental overdose of prescription medication.These poems hold every emotion you might expect - grief, sadness, anger, regret and, most importantly, a glimmer of hope that the author is moving forward.I found these poems deeply moving and very accessible.I would stronly recommend this collection for anyone - whether they are dealing with grief or not.

    17. Elegy is simply sad, but also inspiring. It does not go into a sappy, overly sentimental deluge of emotion. Instead, it questions time and offers memory. Lots of poems repeat others, and sometimes one poem seems exactly the same as another, but that does contribute to confusion and blurring that occurs when coping with death. Mary Jo Bang's play with language and interesting line breaks display a subtle expertise in the craft of poetry.

    18. Certain poems and concepts feel redundant, but how do you tell someone in mourning to abbreviate? Much of the book's project is the inescapable return, how some months become prisons and some pain becomes mantra. Ideas of fixation, time, and terminability occupy every piece, exhibited even in the prosody (repetition, a final irregular stanza). Though some images reoccur at a distracting rate, those images are typically applied productively. I read absorbedly, sunkenly.

    19. Donald Hall's poetry speaks eloquently of love and loss. This book, not so much. The treatment seems more academic than impassioned or stoic. Some of it comes off as trite. But, it may not be the best introduction to Mary Jo Bang. I do like this:"the soft mask of his fixed expression hinted at a connoisseurship of difficulty."The volume is going into my recycle pile. Not shelf-worthy.

    20. An excellent collection (on an unfortunate and sad period of time in the author's life). The poems don't simply convey the sense of loss, mourning, regret, and longing--they somehow make it feel like these feelings are happening to you. The imagery is stunning but the raw emotions, offered without any hint of drama for drama's sake, are the strength of this work.

    21. A bit too obsessive about grief for me, but that is the theme of the book. A disciplined project with some nice turns of phrase throughout. I was hoping for a little bit less obsessive brooding towards the end. If this is what is needed to make books hang together, then let them fly apart a bit more.

    22. Wow. Absolutely breathtaking. I have a little memorial shelf for my brother and father who both recently died. After finishing this book I placed in on that shelf- there seemed to be no better place for it. This is a must read for anyone experiencing grief, or anyone who wants to attempt to gain empathy on the depths and layers of bereavement.

    23. An excellent, truthful collection about the loss of her son. The ruminations that loss brings have been tiresome to other reviewers, but to my eyes, they are painfully, unbearably accurate. It's an incredibly painful and difficult read.

    24. Like a Kaddish for her son, encompassing the entire text;it is graphic and and raw in its grief, but it doesn't dissuade the reader from finishing it. This is remarkable in itself as it the book is singular in its subject and unflinching.

    25. The signature poem in this collection, I feel, is "You Were You Are Elegy." The language, images and movement are superb. I find there are a handful of poems I feel strongly about here, and the others don't stand out well enough as separate units.

    26. Bang opens the door to a mother's grief and speaks the unspeakable. Although her son is no longer with her physically, her love for him continues and shines through her pain. It takes a great deal of courage to reveal oneself as she has.

    27. A collection of poems written by a grief stricken mother/poet. It is full of anguish and the giant void that you feel when you lose a loved one. I am giving a copy to my Mil to read. I think she will appreciate the others share her horrible, neverending pain.

    28. still mulling over this intensity. my favorite lines (this time around): How does one live With sorrow? His hand on her shoulder Saying, your love Of precision will only get you in trouble. -from "Curtains of Emptiness"

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